Thursday 21 October 2010

LES SAVY FAV – ROOT FOR RUIN (FRENCHKISS/WICHITA RECORDINGS)


LES SAVY FAV – ROOT FOR RUIN (FRENCHKISS/WICHITA RECORDINGS)

There is a distinct kind of ringing that is attached to Les Savy Fav.  It is there own version of the killer bee, one that even the Wu-Tang Clan could appreciate.  With it comes a stinging assault of/on the senses and a unique barrage of post-punk that is a sound all of their own.

Root For Ruin is the fifth studio album from one of New York’s finest bands of recent times.  Within the rock the energy and ferocity remains, stepping things up again after their slightly user/listener friendly last offering.

The record steps out swinging, punching with the aggressively jabbing/juddering “Appetites”.  This is how every rock album should start with a song that feels like you’re spinning in circles as fast as possible while an angry dog barks in your face before it all crashes to the conclusion of a mantra (repeated refrain) of “I love you to the max, I love you to the max”, a statement seemingly on loan from Silver Jews borrowed by a different set of punks in the beerlight.  And all squeezed into 3.33, half the size of the devil.

As the listener picks themselves up and digs in further the mania maintains with “Dirty Knails”.  This track is home to the wonderful declaration and request from Harrington of “don’t come for me when my body fails tonight”.  Nobody’s perfect.

A strange thing then occurs with “Sleepless In Silverlake” as the opening bars prove scarily reminiscent of “I Wanna Be Adored” by the Stone Roses.  What the fuck is going here?  It all sounds like the band setting sights on cruise control.  It’s baggy.

With this the record plays out in a fun and varied fashion as “Let’s Get Out Of Here” offers dirty euphoria while the guitars of “High And Unhinged” ring out like sirens and “Calm Down” proves downright new wave once past its Jane’s Addiction-esqe opening baseline.

In “Poltergeist” the band is at perhaps its most New York sounding as in a tunnel like departure they sound like Sister/Daydream Nation era Sonic Youth in a moment that sounds like genuine horror, even reminding at times of Suicide.

Things expand further with the surprisingly upbeat and mid tempo “Dear Crutches” which reads like some kind of ode to an exhausted love.  As the words “I don’t want to be your crutches anymore” ring out you sense that there is something of an emotional tampon moment occurring.

Closing track “Clear Spirits” is another lofty excursion that again soars with a similar energy to Jane’s Addiction while exhibiting the kind of twisted noodling guitars that Sonic Youth once offered when in their prime.  Even the boxy sounding drums are magnificent.  This will echo all night.

With this record Les Savy Fav remain ambitious and hungry not afraid to adventure or experiment with their sound.  It’s a pleasure to observe a band retaining its enthusiasm and pulse.  Some bands were just born to be heroes.

Thesaurus moment:

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